John Heilemann Nine Inch Nails

The album was mostly written and recorded by Ilan Rubin of Nine Inch Nails throughout NIN’s 2013-14 The debut album from Atticus Ross and Claudia Sarne’s 12 Rounds project.A Nothing Records release, Claudia Sarne, Atticus Ross and Adam Holden refine their sound on this excellent record.Their debut album featuring NIN friend and sometimes member Joshua Eustis. UNAPOLOGETIC, UNFRIENDLY, DENSE, LYRICALLY COMPLEX, SO-FAR-BEHIND-THE-TIMES-IT’S-AHEAD-OF-ITS-TIME, HIPSTER-REPELLING UNCOMPROMISING MUSIC SMART PEOPLE CAN FUCK TO. It captures “a much truer sense of what happened” according to Reznor. Currently out of print.The companion to The Fragile featuring Various manipulations of songs recorded from sessions. The video portion exists somewhere.An excellent remix companion to Year Zero featuring Saul Williams, Alessandro Cortini, Stephen Morris & Gillian Gilbert, Fennesz, Ladytron and more.The first music released by Nine Inch Nails. An elaborate concept record set in the near future (or the present, depending on how you look at the post-Trump world), each song  is a “snapshot” of life set against elaborately deconstructed electronics. Reproduced and remixed by Adrian Sherwood and Keith LeBlanc.The final single from Pretty Hate Machine featuring the Al Jourgensen produced Queen cover An interesting remix record with some real gems. The score that Trent Reznor and Atticus Ross composed for HBO’s limited series “Watchmen” could be boiled down to this: It was the most Nine Inch Nails of times, it was the least Nine Inch Nails of times. The official nine inch nails website. Home of NIN’s The Perfect Drug.The first proper film to be scored by Reznor and his creative partner Atticus Ross earns them an Academy Award. The film is better than you are expecting and the score of course is awesome.A tremendously important film that will change the way we understand what happened.WRITTEN AND DIRECTED BY JONAH HILL, MID90S FOLLOWS STEVIE, A THIRTEEN-YEAR-OLD IN 90S-ERA LA WHO SPENDS HIS SUMMER NAVIGATING BETWEEN HIS TROUBLED HOME LIFE AND A GROUP OF NEW FRIENDS THAT HE MEETS AT A MOTOR AVENUE SKATE SHOP. Reproduced and remixed by Adrian Sherwood and Keith LeBlanc.The final single from Pretty Hate Machine featuring the Al Jourgensen produced Queen cover An interesting remix record with some real gems. Reznor turns Closer inside-out on Closer to God, while Coil does some of their finest work on Closer (Precursor) made famous for the opening credits of David Fincher’s Se7en. Reznor turns Closer inside-out on Closer to God, while Coil does some of their finest work on Closer (Precursor) made famous for the opening credits of David Fincher’s Se7en. It captures “a much truer sense of what happened” according to Reznor.

Nine Inch Nails spent a lot of money to properly film shows from The Downward Spiral tour cycle, but threw the project away when Reznor said the footage “looked like shit – it was too professional.”  The “proper” tour document became this assemblage of Hi-8 footage filmed by Jonathan Rach. IT MAY NOT BE FOR YOU.PART TWO. Rediscover your favorite NIN record in a new light. The video portion exists somewhere.An excellent remix companion to Year Zero featuring Saul Williams, Alessandro Cortini, Stephen Morris & Gillian Gilbert, Fennesz, Ladytron and more.The soundtrack to the groundbreaking Oliver Stone film of the same name, produced by Trent Reznor. Nine Inch Nails is an American industrial rock band founded in 1988 by Trent Reznor in Cleveland, Ohio.The band's live performances contrast with its in-studio counterpart; although Reznor is in complete creative control of Nine Inch Nails in-studio, he typically assembles groups of backing musicians to interpret songs for live performances. Come for the first two helmed by Reznor himself, stay for the excellent cover of Gary Numan’s Metal.A live recording compiled from the Fragility 2.0 tour, summer 2000. Featuring the work of Jack Dangers, Plug (Luke Vibert), The Orb and more.Part live artifact, part fever dream. One of the most adventurous and experimental sounding records to ever top the charts.Hiding from the world and himself in a New Orleans studio for several years, a damaged Reznor creates the sprawling opus Musically and conceptually way ahead of its time. Listen to this.Reznor dips his toe into scoring with David Lynch while also assembling the soundtrack for one of his most impenetrable films. We’re working on getting this available again!Things start getting dark here…  Production by Reznor.Soundtrack (and all sound effects) done by Reznor and NIN accomplices. Vinyl only so you can have something to bitch about.Alternately meditative and incredibly stress-inducing, the latest score from Trent and Atticus. UNAPOLOGETIC, UNFRIENDLY, DENSE, LYRICALLY COMPLEX, SO-FAR-BEHIND-THE-TIMES-IT’S-AHEAD-OF-ITS-TIME, HIPSTER-REPELLING UNCOMPROMISING MUSIC SMART PEOPLE CAN FUCK TO.

Includes the first songs written by the band while they find their sound. IT MAY NOT BE FOR YOU.PART TWO. The blueprints for future NIN records and film work lie within.Remixes of some tracks from With Teeth by the DFA, EL-P, Photek and more.A live release chronicling the 2005/2006 Live: With Teeth arena tours. A puzzle-box that rewards the repeat listener.Simultaneously referencing the past while pointed to the future, PART ONE OF A THREE EP TRILOGY OF RECORDS. Featuring the world of Rick Rubin, Coil, Aphex Twin and more.Remixes of The Perfect Drug from David Lynch’s Lost Highway soundtrack. The blueprints for future NIN records and film work lie within.Remixes of some tracks from With Teeth by the DFA, EL-P, Photek and more.A live release chronicling the 2005/2006 Live: With Teeth arena tours. Also a video which is probably out of print – working on it.One of Reznor’s favorite records of his own and the last record from The Fragile / New Orleans era. A strange collection of stripped down, sometimes live tracks new and old. THE VIEW WIDENS AND EVERYTHING IS IN QUESTION.An all instrumental version of The Fragile with lots of additional music from the era. Nine Inch Nails duo Trent Reznor and Atticus Ross have released a cover of director and composer John Carpenter’s theme to his classic 1978 horror film Reznor and Finch recorded their version of the track in celebration of a collection of a new John Carpenter album entitled The album is scheduled for release on 20 October and includes new versions of Carpenter staples such as ‘Assault On Precinct 13’, ‘Escape From New York’, ‘The Fog’ and the HP Lovecraft-related ‘In The Mouth Of Madness’.

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